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The grid is the fundamental language.
It is the invisible skeleton that holds a composition together and act as a map for the viewer’s eye.
They are the silent workhorses we often take for granted as we place an immense amount of weight on these invisible frameworks, letting them do the thinking for us.
They basically hold part of the world we live in.
Graella is the space where grids cease to work and begin to exist. They follow a logic of structural rationalism, but with a reimagined finality. Resting against parchment paper, they magnetically attach to a steel frame to give life to a geometric volume.
Suspended over a wood base that softens the ambient, the piece turns a technical utility into a quiet, structural presence.